A
Laodicean (1881)
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PREFATORY NOTES
The changing of the old order in country manors and mansions may be slow or
sudden, may have many issues romantic or otherwise, its romantic issues being
not necessarily restricted to a change back to the original order; though
this admissible instance appears to have been the only romance formerly recognized
by novelists as possible in the case. Whether the following production be
a picture of other possibilities or not, its incidents may be taken to be
fairly well supported by evidence every day forthcoming in most counties.
The writing of the tale was rendered memorable to two persons, at least, by
a tedious illness of live months that laid hold of the author soon after the
story was begun in a well-known magazine; during which period the narrative
had to bc strenuously continued by dictation to a predetermined cheerful ending.
As some of these novels of Wessex life address themselves more especially
to readers into whose souls the iron has entered, and whose years have less
pleasure in them now than heretofore, so A Laodicean may perhaps help to while
away an idle afternoon of the comfortable ones whose lines have fallen to
them in pleasant places; above all, of that large and happy section of the
reading public which has not yet reached ripeness of years; those to whom
marriage is the pilgrim's Eternal City, and not a milestone on the way.
Thomas Hardy January 1896.
Postscript
Laodicean was first published in 1881, in three volumes. Looking over the
novel at the present much later date, I hazard the conjecture that its sites,
mileages, and architectural details can hardly seem satisfactory to the investigating
topographist, so appreciable a proportion of these features being but the
baseless fabrics of a vision.
However, there may remain a compensation of another sort in the character
of Paula, who, on renewed acquaintance, leads me to think her individualized
with some clearness, and really loveable, though she is of that reserved disposition
which is the most difficult of all dispositions to depict, and tantalized
the writer by eluding his grasp for some time.
Thomas Hardy October 1912.