Thomas HardyA Laodicean (1881)
A Laodicean A Laodicean

PREFATORY NOTES
The changing of the old order in country manors and mansions may be slow or sudden, may have many issues romantic or otherwise, its romantic issues being not necessarily restricted to a change back to the original order; though this admissible instance appears to have been the only romance formerly recognized by novelists as possible in the case. Whether the following production be a picture of other possibilities or not, its incidents may be taken to be fairly well supported by evidence every day forthcoming in most counties.

The writing of the tale was rendered memorable to two persons, at least, by a tedious illness of live months that laid hold of the author soon after the story was begun in a well-known magazine; during which period the narrative had to bc strenuously continued by dictation to a predetermined cheerful ending.

As some of these novels of Wessex life address themselves more especially to readers into whose souls the iron has entered, and whose years have less pleasure in them now than heretofore, so A Laodicean may perhaps help to while away an idle afternoon of the comfortable ones whose lines have fallen to them in pleasant places; above all, of that large and happy section of the reading public which has not yet reached ripeness of years; those to whom marriage is the pilgrim's Eternal City, and not a milestone on the way.

Thomas Hardy January 1896.


Postscript

Laodicean was first published in 1881, in three volumes. Looking over the novel at the present much later date, I hazard the conjecture that its sites, mileages, and architectural details can hardly seem satisfactory to the investigating topographist, so appreciable a proportion of these features being but the baseless fabrics of a vision.

However, there may remain a compensation of another sort in the character of Paula, who, on renewed acquaintance, leads me to think her individualized with some clearness, and really loveable, though she is of that reserved disposition which is the most difficult of all dispositions to depict, and tantalized the writer by eluding his grasp for some time.

Thomas Hardy October 1912.

Thomas Hardy