PREFATORY NOTES

The following chapters were written at a time when the craze for indiscriminate church-restoration had just reached the remotest nooks of western England, where the wild and tragic features of the coast had long combined in perfect harmony with the crude Gothic Art of the ecclesiastical buildings scattered along it, throwing into extraordinary discord all architectural attempts at newness there. To restore the grey carcases of a mediaevalism whose spirit had fled seemed a not less incongruous act than to set about renovating the adjoining crags themselves.

Hence it happened that an imaginary history of three human hearts, whose emotions were not without correspondence with these material circumstances, found in the ordinary incidents of such church-renovations a fitting frame for its presentation.

The shore and country about "Castle Boterel" is now getting well known, and will be readily recognized. The spot is, I may add, the furthest westward of all those convenient corners wherein I have ventured to erect my theatre for these imperfect dramas of country life and passions; and it lies near to, or no great way beyond, the vague border of the Wessex kingdom on that side, which, like the westering verge of modern American settlements, was progressive and uncertain.

This, however, is of little importance. The place is pre-eminently (for one person at least) the region of dream and mystery. The ghostly birds, the pall-like sea, the frothy wind, the eternal soliloquy of the waters, the bloom of dark purple cast that seems to exhale from the shoreward precipices, in themselves lend to the scene an atmosphere like the twilight of a night vision.

One enormous sea-bord cliff in particular figures in the narrative; and for some forgotten reason or other this cliff was described in the story as being without a name. Accuracy would require the statement to be that a remarkable cliff which resembles in many points the cliff of the description bears a name that no event has made famous.

Thomas Hardy March1895.

P.S.—The first edition of this tale, in three volumes, was issued in the early Summer of 1873. In its action it exhibits the romantic stage of an idea which was further developed in a later book. To the ripe-minded critic of the present one an immaturity in its views of life and in its workmanship will of course be apparent. But to correct these by the judgment of later years, even had correction been possible, would have resulted, as with all such attempts, in the disappearance of whatever freshness and spontaneity the pages may have as they stand.

To add a word on the topography of the romance in answer to queries, unimportant as the point may be. The mansion called "Endelstow House" is to a large degree really existent, though it has to be looked for at a spot several miles south of its supposed site. The church, too, of the story was made to be more open to the ocean than is its original.

Thomas Hardy June 1912